<![CDATA[My Site - News]]>Sat, 20 Apr 2024 07:23:09 -0700Weebly<![CDATA[RANDY ROGERS AND WADE BOWEN BREW UP COLLABORATIVE RETURN WITH HOLD MY BEER, VOL. 2]]>Fri, 28 Feb 2020 15:16:22 GMThttp://thedailycountry.com/news/randy-rogers-and-wade-bowen-brew-up-collaborative-return-with-hold-my-beer-vol-2PicturePHOTO CREDIT: JOSHUA BLACK WILKINS
NASHVILLE, TENN. (February 28, 2020) — Individually, Country mainstays RANDY ROGERS and WADE BOWEN have racked up countless career milestones. Together, the pair has two decades of friendship and collaboration under their belts. Ready to mark the next chapter in their musical partnership, Rogers and Bowen are set to pop the top on their latest studio album HOLD MY BEER, VOL. 2 on May 8.

Available for preorder today (2/28), the 10-track project serves as the long-awaited follow-up to their critically acclaimed collaborative debut, HOLD MY BEER, VOL. 1 (2015), and fan-favorite live album, WATCH THIS (2016). Produced by the legendary Lloyd Maines, this new offering features all unreleased tunes which not only highlight the pair’s undeniable camaraderie, but also showcase their songwriting and musical prowess.

“Unlike our first record, which kind of happened out of nowhere, this album was really planned,” explains Bowen. “We made a conscious effort to write for this specific project and also focused on bringing the best outside songs to the table. It was really important for us to be as mindful and purposeful as possible when it came to choosing the songs that made the cut for this volume.”

“Every single song on the album comes from the heart,” Rogers continues. “Some will make you laugh. Others will make you cry… But when it’s all said and done, we just hope the music speaks for itself and reflects the amount of time and love that went into each of these songs, from the melodies to the lyrics. We couldn’t be prouder of this album.”

As a collection, HOLD MY BEER, VOL. 2 is chock-full of catchy hooks and standout moments that are sure to lead to rowdy singalongs, render fans speechless, and everything in between. Each track is a highlight in its own right, with tunes like “Rhinestoned,” a clever love-letter to old-school Country music (penned by Lori McKenna, Ryan Beaver, Ashley Ray), and the emotional “Ode to Ben Dorcy (Lovey’s Song),” which features the duo’s vocals alongside an unreleased demo by Waylon Jennings.

HOLD MY BEER, VOL. 2 TRACK LISTING:

1.  “AM/FM” (Wade Bowen, Randy Rogers, Jon Randall, Jim Beavers)
2.  “Rodeo Clown” (Chris DuBois, David Lee)
3.  “Habits” (Wade Bowen, Randy Rogers, Jon Randall, Jim Beavers)
4.  “Let Merle Be Merle” (Casey Twist, Ross Cooper, Josh Abbott)
5.  “Rhinestoned” (Lori McKenna, Ryan Beaver, Ashley Ray)
6. “Ode To Ben Dorcy (Lovey’s Song)” feat. Waylon Jennings and Shooter Jennings (Waylon Jennings)
7.  “Mi Amigo” feat. Asleep at the Wheel (Wade Bowen, Randy Rogers, Jon Randall, Jim Beavers)
8.  “This Ain’t My Town” (Wade Bowen, Randy Rogers, Jon Randall, Jim Beavers)
9.  “Warm Beer” (Adam Wright)
10.  “Speak to Me Jukebox” (Wade Bowen, Will Knaak)
11.  “Her” (Dean Dillon, Buddy Cannon)
12.  “Hold My Beer” (Wade Bowen, Randy Rogers, Jim Beavers)

Luckily, fans don’t have to wait until summertime rolls around to hear new music from the talented pair. Rogers and Bowen have offered up the first taste of their upcoming project with the release of “Rodeo Clown” – out today (2/28). Written by Chris DuBois and David Lee, the tune serves as a comedic take on heartbreak, with its leading man losing his lover to a less than ideal candidate.

LISTEN TO “RODEO CLOWN” HERE.

“‘Rodeo Clown’ is the perfect example of what we were aiming for, when it came to picking songs for this album,” says Bowen. “It really shows how lyrics can truly set the tone for a song – because at its core, the track itself is a classic, country ballad about heartache, but the funny lyrics take its ‘sad’ story in a completely different direction.”

The excitement doesn’t stop there – Rogers and Bowen have more surprises on tap for the weeks leading up to the release of HOLD MY BEER, VOL. 2. Fans can find the latest news on the pair’s Hold My Beer movement at http://www.randyandwade.com/.
FACEBOOK | TWITTER | INSTAGRAM | WEBSITE 
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<![CDATA[GIG ALERT: Colin Hay in NYC April 7th & 8th]]>Fri, 28 Feb 2020 13:01:32 GMThttp://thedailycountry.com/news/gig-alert-colin-hay-in-nyc-april-7th-8thPictureCourtesy of the Artist
Tues. & Wed., April 7-8 • NEW YORK • City Winery
25 11th Ave.  Showtime: 8 p.m.; Tickets: $60-$80 (on sale now)

LOS ANGELES, Calif. — Singer-songwriter Colin Hay, beloved for his intimate, acoustic live shows, but most widely known for being the influential and celebrated Men at Work frontman, is hitting the road for an extended solo tour celebrating all of his albums, plus songs from a forthcoming mid 2020 release. 
 
On these upcoming dates, Hay is offering fans the option of a VIP upgrade to include a meet and greet to benefit the New South Wales Rural Fire Service in Australia. Hay shares vivid personal recollections hereabout owning a special piece of land outside the village of Cobargo, NSW, where he wrote one of his biggest hits, “Who Can It Be Now?” Click HERE to go to his website and for directions to purchase meet and greet tickets. 
 
“Cobargo, at this very minute, like so much of Southern NSW and parts of Victoria, is in trouble, big trouble,” Hay says. “I’m about to head out on a solo tour across the U.S., from February through May. This year is the first time I’m doing what they call ‘meet and greets’ before the performances. People pay extra money to say hi and hang a little before the show. All of the proceeds of these will go to the NSW RURAL FIRE SERVICE.”
 
Since the release of 2017’s Fierce MercyHay has kept busy. A song he wrote for Ringo Starr “What’s My Name,” not only made its way onto Ringo’s latest album but also became the LP’s title track. Hay toured internationally with Ringo Starr & His All-Star Band in 2018 and 2019 as well as through Europe as Men at Work, performing the band’s many hits, including “Down Under,” “Overkill,” and “It’s a Mistake.” He also toured Australia and the U.S., fronting the Colin Hay Band. In theatrical highlights, he made his Melbourne Theatre Company debut playing Feste in Shakespeare’s Twelfth NightHe’s also working on material for a new 2020 album release on Compass Records
 
“If you’re coming along to a show and you’re thinking about splashing out for the meet and greet, go for it,” Hay says. “And know that your hard-earned is going to support a great and honorable organization, made up of brave people who risk their lives in the face of ever-more-furious fires.”

Tour dates:
Thurs., Feb. 27  SANTA BARBARA, CA  Lobero Theatre

Fri., Feb. 28  BEVERLY HILLS, CA Saban Theatre

Sat., Feb. 29  EL CAJON, CA  The Magnolia
Tues., March 3  SANTA CRUZ  Rio Theater

Wed., March 4  SAN FRANCISCO, CA  Palace of Fine Arts Theatre

Fri., March 6  PORTLAND, OR  Revolution Hall

Sat., March 7 SEATTLE, WA  Saint Mark's Episcopal Cathedral

Sun., March 8  SPOKANE, WA  The Bing Crosby Theater

Mon., March 9  MISSOULA, MT  The Wilma

Wed., March 11  SALT LAKE CITY, UT  Rose Wagner Theater

Fri., March 13  FORT COLLINS, CO  Lincoln Center

Sat., March 14 DENVER, CO  Paramount Theatre

Sun., March 15  BEAVER CREEK, CO  Vilar Performing Arts Center

Thurs., March 26  MINNEAPOLIS, MN  Pantages Theatre

Fri., March 27  MILWAUKEE, WI  The Pabst Theater

Sat., March 28  CHICAGO, IL Thalia Hall

Sun., March 29  ROYAL OAK, MI  Royal Oak Music Theatre

Tues., March 31  CINCINNATI, OH  Taft Theatre

Thurs., April 2  WEST LONG BRANCH, NJ  Monmouth University

Fri., April 3  ANNAPOLIS, MD  Maryland Hall for the Creative Arts
Sat., April 4  WASHINGTON, DC  Lincoln Theatre
Sun., April 5  GLENSIDE, PA  Keswick Theatre

Tues.-Wed., April 7-8  NEW YORK, NY  City Winery

Thurs., April 9  TARRYTOWN, NY  Tarrytown Music Hall

Fri., April 10  CONCORD, NH  Capitol Center for the Arts

Sat., April 11  BOSTON, MA  The Wilbur

Thurs., April 23  CHARLESTON, SC  Charleston Music Hall

Fri.-Sat., April 24-25  WILKESBORO, NC  Merlefest at Wilkes Community College

Sun., April 26  ATLANTA, GA  Buckhead Theatre

Wed., April 29  ORLANDO, FL  The Plaza Live

Thurs., April 30  FORT LAUDERDALE, FL Amaturo Theater/Broward Center for the Performing Arts

Fri., May 1  CLEARWATER, FL  Capitol Theatre

Sat., May 2  PONTE VEDRA BEACH, FL  Ponte Vedra Concert Hall

Wed., May 6  BIRMINGHAM, AL  The Lyric Theatre

Thurs., May 7 BATON ROUGE, LA  Manship Theatre

Fri., May 8  HOUSTON, TX  The Heights Theater

Sat., May 9  AUSTIN, TX  Texas Union Ballroom
Sun., May 10  DALLAS, TX  Majestic Theater
 
Social media:
FBhttps://www.facebook.com/ColinHayMusic/videos/483048385940524
Instagramhttps://www.instagram.com/p/B7WzG7ghlMf/
Twitter: https://twitter.com/ColinHay/status/1217565261416607744?s=20
 
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<![CDATA[Reckless Kelly Release Latest Single “North American Jackpot”]]>Fri, 28 Feb 2020 12:58:50 GMThttp://thedailycountry.com/news/reckless-kelly-release-latest-single-north-american-jackpotPictureCourtesy of the Artist
February 27, 2020: Today, the Austin, TX-based country rock band Reckless Kelly released “North American Jackpot,” the first single and title track from their upcoming album American Jackpot (out May 22 alongside their album American Girls). 
Listen to “North American Jackpot” via YouTube:
https://youtu.be/v9_FMj8-EJ8  

“Writing ‘North American Jackpot’ I kept hitting a wall with the verses and the theme,” says Willy Braun, who co-founded Reckless Kelly with his older brother Cody Braun and drummer Jay Nazz in 1996. “Trouble was, I kept going back to my first idea, a story about my grandparents, which wasn’t really going anywhere, but I couldn’t get away from it. I  thought, I’d have to scrap this one till it made sense… the problem was, I’d already started writing the rest of the album and was close to being finished, but the title track, 'North American Jackpot’ wasn’t close to being completed, and far from the cornerstone it needed to be. I called Jeff Crosby, songwriter extraordinaire from the Gem State asking for help. The next day he sent a nearly perfect first verse that got me out of the rut and on the right track. I wrote a second verse almost immediately and we polished it up in Boise a couple weeks later. I had my cornerstone.”

For nearly 25 years, Reckless Kelly has graced the musical landscape with a high-powered form of Americana, equally rooted in raw passion, refined musicianship, and gritty authenticity. With the dual release of two new albums—American Jackpot and American Girls—the Idaho-bred band presents a beautifully detailed portrait of their beloved country, turning their nuanced songwriting to its many glories and tragedies. “North American Jackpot” appears on American Jackpot, throughout which Reckless Kelly joyously examines what they most cherish about their homeland, exalting everything from the thrill of mule-riding through the Grand Canyon to the country’s singular potential as a cultural melting pot. At the same time, the band never shies away from calling out forces that threaten America’s character. To that end, the album is bookended by two piano-driven tracks with lyrics lifted from the Emma Lazarus poem inscribed at the Statue of Liberty: the full-hearted and hopeful “North American Jackpot,” and “Goodbye Colorado #3” (a quietly impassioned response to anti-immigrant rhetoric).

For American Jackpot and American Girls, the band called upon friends and fellow musicians Bukka Allen, Jeff Crosby, Charlie Sexton, Gary Clark Jr., Rosie Flores, Shawn Sahm, Muzzie Braun, Suzy Bogguss, Wade Bowen and many more to join their recording sessions. Although Reckless Kelly initially intended to make just one album, the project took on a life of its own once they headed into the studio. “I wanted to produce this one by myself, just to try that out, and I made sure to book plenty of studio time to get it done right,” says Willy. “We ended up moving along really fast, so I pulled out a few more songs and figured we’d end up using them down the road. Before we knew it, we had enough material for two really good records.”

Tour Dates:
2/27: Duling Hall - Jackson, MS
2/28: Manship Theatre - Baton Rouge, LA
3/5: TempleLive - Fort Smith, AR
3/6: The Brendon McLarty Memorial Foundation Concert - Oklahoma City, OK
3/7: Revolution Music Room - Little Rock, AR
3/13: House of Blues - Houston, TX
3/14: Cook’s Garage - Lubbock, TX
4/11: Bluebonnet Festival - Burnet, TX
4/17: Fiesta Oyster Bake - San Antonio, TX
4/18: Main Street Arts Festival - Fort Worth, TX
4/20: Larry Joe Taylor’s Music Festival - Stephenville, TX
4/23: Washington’s - Fort Collins, CO
4/24: Stargazers Theatre - Colorado Springs, CO
5/29: Grizzly Rose - Denver, CO
6/4-5: Mountain Village Resort - Stanley, ID
6/6: Washington County Fairgrounds - Cambridge, ID
7/29: McMenamin’s Spanish Ballroom - Tacoma, WA
7/31: Tower Theatre - Bend, OR
8/1: Back Country Bash - Joseph, OR

Follow Reckless Kelly Online:
Website | Facebook | Instagram | Twitter
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<![CDATA[Roots Rocker KEVIN DANIEL Added to SXSW and MOUNTAIN JAM]]>Fri, 28 Feb 2020 12:53:49 GMThttp://thedailycountry.com/news/roots-rocker-kevin-daniel-added-to-sxsw-and-mountain-jamPictureCourtesy of the Artist
May 31 Appearance at Mountain Jam, Warren Haynes Curated Festival in Bethel, NY, Site of Original Woodstock
https://mountainjam.com/daily-lineup

Official Showcase Artist at SXSW, Thursday March 19 at Saxon Pub
https://www.billboard.com/articles/events/sxsw/8547948/sxsw-artists-showcase-lineup-2020

“Emerging Americana artist exploring themes of love, loss, and redemption” - Relix

Brooklyn, NY: Offering a nightly revival that echoes the everyman vibe of Tom Petty while conjuring the gut-busting grooves of Drive-by Truckers, roots rock act Kevin Daniel & The Bottom Line have been added to a series of spring festivals including SXSW, Listening Room Festival in St.Petersburg, FL, and Mountain Jam, a 3-day fest curated by guitarist Warren Haynes and Radio Woodstock. Taking place May 29-31 at Bethel Woods Center for the Arts in Bethel, N.Y., the site of the original Woodstock in 1969, the 16th annual edition includes Jason Isbell, Brandi Carlile, The Head and The Heart, Greensky Bluegrass, Margo Price, Grace Potter, Yola, The Band’s Levon Helm, celebrating his 80th birthday, two sets by Haynes’ band Gov't Mule, and Phish kingpin Trey Anastasio.

Fresh from the band’s first UK tour, the upcoming festival appearances and tour dates will see Daniel showcase material from his critically-acclaimed debut album, Things I Don’t See. Since its release last fall, it’s been a critical darling, receiving praise from Relix Magazine, No Depression, Under The Radar, Ditty TV, Radio Woodstock, Blurt Magazine, American Songwriter, Americana Highways, The Alternate Root and Americana UK, which christened it ”a beauty worth listening to” while Music Connection championed its "earthy and grounded themes perfect for his raw and soulful, Chris Stapleton-esque timbre."

Co-produced by Ben Rice (Norah Jones, The Candles, Aoife O’Donovan) and Kenny Siegel (Langhorne Slim, Joseph Arthur, Chris Whitley), the 11-song treatise showcases Daniel’s fluid ability as a songwriter to seamlessly incorporate bits of rock, soul, country, blues, roots and Appalachia into his thoughtful examination of pain and awakenings, visceral and spiritual. The LP’s title track mines these depths with aplomb while “Time To Rise (ft. Shannon Söderlund)” and “All I Need” reveal a path forward.

Further stops on his spring tour include another round of shows in his birthplace of North Carolina, a return engagement at The Basement in Nashville, an all ages show at Fairleigh Dickinson University in Teaneck, NJ, and numerous hometown shows including sets at Rockwood Music Hall, Arlene’s Grocery and The Bitter End with additional headline slots at showcases for Launch Global and Pancakes & Whiskey.

Tour Dates
2/27 – New York, NY @ Lady Stardust at 2A (Pancakes & Whiskey)
2/29 – Harrisburg, PA @ The Abbey Bar
3/05 – Falls Church, VA @ Settle Down Easy
3/07 – Brooklyn, NY @ The Baumann
3/09 – Teaneck, NJ @ Fairleigh Dickinson University
3/14 – Conroe, TX @ Red Brick Tavern (w/ Johnny Chops)
3/19 – Austin, TX @ Marriott/Edge Rooftop (SXSW)
3/19 – Austin, TX @ Saxon Pub (SXSW) [12am]
3/20 – Austin, TX @ Hyatt Regency (SXSW) [6pm]
3/21 – Austin, TX @ Saxon Pub (SXSW) [2:15pm]
3/25 – St. Petersburg, FL @ Listening Room Festival
4/03 – New York, NY @ Nublu (Launch Global)
4/06 – New York, NY @ The Bitter End (New York Songwriters Circle)
4/07 – Nashville, TN @ The Basement
4/10 – Baltimore, MD @ Sofar Sounds
4/10 – Washington, DC @ DIVE
4/11 – Raleigh, NC @ Sofar Sounds
4/16 – Charlotte, NC @ Sofar Sounds
4/27 – New York, NY @ Arlene’s Grocery
5/09 – Easthampton, MA @ Abandoned Building Brewery (16th Anniv Party)
5/31 – Bethel, NY @ Mountain Jam
6/07 – Fairfax, VA @ Celebrate Fairfax

“All I Need” (Live in Boston) https://youtu.be/QFhtA5hOWps
“City That Saves” Official Music video https://youtu.be/JimxldaMBEE
“Used to Be” Official Music video https://youtu.be/Ed7UuOYsUYU

http://thekevindaniel.com
http://twitter.com/thekevindaniel
http://www.facebook.com/thekevindaniel
http://www.instagram.com/thekevindaniel
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<![CDATA[Dan Wilson Releases New Single "Eventually"]]>Thu, 30 Jan 2020 00:45:16 GMThttp://thedailycountry.com/news/dan-wilson-releases-new-single-eventuallyPictureCredit: Devin Pedde
January 24, 2020: Today, Grammy-winning songwriter Dan Wilson continues his string of monthly single releases with "Eventually," his first new song release of 2020.

Listen to "Eventually" via YouTube:
https://youtu.be/vQto1vM3RzY
 
"'My newest single is called 'Eventually.' It’s an epic myth about two modern road warrior lovers, racking up the sky miles; quelling volcanoes and floods far from home or waiting by the door. I’ve played both roles," explains Wilson. "Lately I’ve been trying to make recordings that situate a homely upright piano within a weather system of ambient synthesizer. I think that suits the message of 'Eventually' pretty well."

Following the release of his a critically-acclaimed solo album Re-Coveredwhere he revisited songs he wrote with other artists including Adele, Chris Stapleton and others, Wilson opted to release a new single each month in lieu of a new solo album. Listen to all of his recent singles via a YouTube playlist.
 
Last week, the Semisonic frontman was featured on the hit podcast Song Exploder, where he broke down their Grammy-nominated (Best Rock Song, 1999) #1 hit single "Closing Time."
 
As a highly sought after songwriter and producer, Wilson continues to collaborate with a stylistically diverse array of artists. Recently, collaborations include "Lovers Never Die" from Celine Dion's new album Courage, Phantogram, Leon Bridges, Rhye, Mondo Cozmo, James Bay and more.

For the last four years, Wilson has been publishing a video series titled Words & Music. First via the now defunct Vine and now on Instagram, Wilson gives tidbits about songwriting, life, the creative process, working relationships, and lots more all in compact videos and illustrations. Follow @danwilsonmusic to watch.
 
Dan Wilson Online:
Website - Facebook - Twitter - Instagram
 
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<![CDATA[Sadler Vaden Returns with 'Anybody Out There?' on March 6]]>Thu, 30 Jan 2020 00:36:59 GMThttp://thedailycountry.com/news/sadler-vaden-returns-with-anybody-out-there-on-march-6PicturePhoto credit: Bridgette Aikens
Sadler Vaden is set to return with Anybody Out There? on March 6, 2020 via Dirty Mag Records / Thirty Tigers. The highly anticipated follow-up to his 2016 self-titled debut, Anybody Out There? was self-produced by Vaden, engineered by multi-platinum producer Paul Ebersold, and mastered by Grammy Award-winner Richard Dodd. It sees the acclaimed instrumentalist at his most adventurous with melody-driven tracks backed by supersized electric guitar and hook-savvy songwriting that deals with the challenges of creating a true human connection in a technology-obsessed world. Featured within the 10-song set are co-writes with Aaron Lee Tasjan (“Peace + Harmony”) and fellow guitarist Audley Freed (“Anybody Out There?”).
 
Today, album standout “Golden Child” is premiering exclusively at The Boot ahead of its worldwide digital release tomorrow. Opening with an “instantly catchy guitar riff,” the track features fellow 400 Unit member Denny DeBorja on a Wurlitzer electronic piano and can be heard now HERE. Of writing the song, Vaden offered, “I chose to write about this person who's been very privileged, who's had that kind of upbringing, but is trying to exist as a person, who wants you to know he or she doesn't have everything.” In addition to sharing the new single, Vaden has announced a string of tour dates to follow his hometown album release show at Nashville’s Mercy Lounge on March 7 with more to be added soon. Please see below for full tour details.

Vaden recently spoke with Billboard Magazine about the forthcoming album, saying, “I wanted to take a little more of a deeper dive into my songwriting with this particular record, my awareness of what's going on around me in the world as I see it. I'm going into my mid-30s. A lot of it just seeps in naturally, but with everything that's going on in our culture and our society there were some things I felt like I wanted to say.” The interview appeared alongside the record’s lead single, “Next To You,” which Rolling Stone Country called “an uptempo road-warrior lament that finds the singer longing for past love.” American Songwriter added, “‘Next to You’ offers a sound more similar to mid-90s Gin Blossoms tracks than modern country and has a vibe that could be a summer road trip staple.”
 
A professional musician since the age of 18, Vaden has spent the better part of two decades on stage, on the road, and in the recording studio lending his unique rock & roll approach to highly-revered bands, up-and-coming acts, and solo albums like the forthcoming Anybody Out There? As a teenager in North Myrtle Beach and the outskirts of Charleston, SC, he began attracting attention as the frontman of a locally-beloved rock & roll power trio named Leslie. The band shared shows with headliners like Drivin’ N Cryin’ and Jason Isbell, both of whom later recruited Vaden to join their own lineups. During his time with Drivin’ N Cryin’, he produced the band's series of Songs… EPs while also playing lead guitar on crowd favorites like "Fly Me Courageous" and "Straight to Hell." He left the group for Isbell's band in 2013, shortly before Isbell's career-shifting album Southeastern hit stores, and has remained an integral member of the group ever since, lending his vocal harmonies and song-serving guitar fretwork to Grammy-winning albums like Something More Than Free and The Nashville Sound. Meanwhile, he has also continued releasing his own material, including his 2016 self-titled debut full-length and standalone singles like "Monster," the latter of which was hailed by Rolling Stone as a "T. Rex-evoking jam [that] doubles as a commentary on the U.S.'s negative political and social climate."
 
Anybody Out There? is due out March 6, 2020 via Dirty Mag Records / Thirty Tigers and can be pre-ordered now HERE.

Website
Facebook
Twitter
Instagram
Spotify
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<![CDATA[PARSONSFIELD FIND JOY IN SYNTHS, LOOPS AND WARPED PIANOS on 'HAPPY HOUR ON THE FLOOR' out April 3rd]]>Thu, 30 Jan 2020 00:32:50 GMThttp://thedailycountry.com/news/parsonsfield-find-joy-in-synths-loops-and-warped-pianos-on-happy-hour-on-the-floor-out-april-3rd
Picture
Courtesy Shore Fire Media
(New York, NY): Parsonsfield - New England’s beloved creators of “the most jubilant and danceable indie roots music this side of the Carolinas” (NPR Music) - will embark on a new era of their career with the April 3 release of Happy Hour on the Floor, their new LP out on Signature Sounds. Produced by Benjamin Lazar Davis (Okkervil River, Joan As Police Woman). Known for their rustic and stirring sounds and warm harmonies, the four-piece rockers now add dreamy synthesizers, hypnotizing loops, warped pianos (borrowed from a band member’s childhood home), melodic fuzz, and vintage drum machines to make upbeat American music that’s more groovy and danceable than any of their previous work.

Happy Hour on the Floor opens with “Paper Floor,” a love story between two striving young professionals who come together in New York City. When money and social status become the foundation of their relationship, it’s like living in a high rise apartment with the titular ‘paper floor.’ Watch the band play intricate paper instruments in the music video on WNYC’s New Soundshttps://www.newsounds.org/story/weekly-music-roundup-grammys-debrief-katie-gately-and-mitski
The rest of Happy Hour on the Floor tells similarly vivid tales, with a wide range of sounds. The finger-picking “Til I Die” interweaves bells with Celtic strings, distortion, and pounding drums, while an ecstatic bass ukulele kicks off the driving “Now That You’re Gone” and adds synths and electric drums. These songs tell multiple stories sharing one tale: how we learn to lean into each other. The “happy hour on the floor” is that time drinking wine out of paper cups with your loved ones; it’s that hour of joy that, if we look for it, can be found everywhere.

Parsonsfield knows this struggle between “what we want” and “want we have” well. After forming in college as a band of musical outsiders - too rock for folk, too folk for punk, too punk for bluegrass - this new record follows a period of uncertainty for each member: new cities, new relationships, new responsibilities. With the departure of their longtime bass player, the five-piece reformed as four, and moved to the outskirts of Boston, hunkering down for a few weeks in a farmhouse in the summer heat to record new music. The result is their most adventurous project yet.

Right after the release of Happy Hour on the Floor, Parsonsfield will tour extensively, bringing music that’s “boisterously youthful yet deftly sentimental” (New York Times) to some of their biggest venues to date. The band has previously toured with Josh Ritter, The Jayhawks, Mandolin Orange, The New Pornographers, and more.

Happy Hour on the Floor Tracklist:
Paper Floor
Til I Die
River Town
Now That You’re Gone
Running River
Oh My Man
Reykjavik Connection
Emery
Horizon Line
Sweet Dream

Parsonsfield Tour Dates:
4.16 Fall River MA @ Narrows Center for the Arts
4.17 Philadelphia PA @ MilkBoy
4.18 Washington DC @ Songbyrd
4.19 Richmond VA @ Richmond Music Hall
4.22 Nashville TN @ The High Watt
4.23 Bloomington IN @ The Bishop
4.24 Cleveland OH @ Beachland Tavern
4.25 Columbus OH @ Rumba Café
4.26 Evanston IL @ SPACE
4.27 Ann Arbor MI @ The Ark
4.29 Toronto ON @ Horseshoe Tavern
4.30 Buffalo NY @ Ninth Ward
5.01 Turners Falls MA @ Shea Theater
5.02 Hartford CT @ Infinity Hall Hartford
5.06 New York NY @ Mercury Lounge
5.07 Portland ME @ Port City Music Hall^
5.08 Burlington VT @ ArtsRiot
5.09 Cambridge MA @ The Sinclair

^Oshima Brothers support on all dates except Portland.

Parsonsfield On The Web:
Website: http://www.parsonsfield.com/
Facebook: https://www.facebook.com/Parsonsfield/
Instagram: https://www.instagram.com/parsonsfield/?hl=en
Twitter: https://twitter.com/parsonsfield
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<![CDATA[January 29th, 2020]]>Thu, 30 Jan 2020 00:30:53 GMThttp://thedailycountry.com/news/january-29th-2020
A singer/songwriter, multi-instrumentalist, and dedicated road warrior, Parker McCollum began building a following in his native Texas with 2015's The Limestone Kid. The album track "Meet You in The Middle" became a hit on Texas' regional radio chart — no small feat for an independent, 22-year-old musician — but it was the album's widely-acclaimed follow-up, Probably Wrong, that helped Parker find national success. Compared to John Mayer and Jason Isbell by Rolling Stone, Parker supported the album with a string of sold-out shows, bringing record-breaking crowds to venues like San Angelo's RiverStage and two sold-out Billy Bob’s (May and December 2019) along the way. 

Born in Conroe, TX, and currently based in Austin, the 27-year-old entrepreneurially-spirited artist bridges the gap between Texas' homegrown music scene and Nashville's country-industry headquarters. His songwriting, which has been hailed by The Austin Chronicle for "carrying on the traditions of Texas music without pretension or referring to pickup trucks," earned him a publishing deal with Warner/Chappell Nashville in May 2018 and a recording deal with Universal Music Group Nashville in June 2019.

Parker’s newest track, “Pretty Heart,” is available everywhere now and precedes his major label debut LP, in 2020. 

Follow Parker McCollum:
Website: www.ParkerMccollum.com
Twitter: https://twitter.com/ParkerMcCollum
Instagram: https://www.instagram.com/parkermccollum/
Facebook: https://www.facebook.com/ParkerMcCollumMusic/
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<![CDATA[Reckless Kelly to Make Opry Debut Tonite]]>Sat, 06 Apr 2019 22:31:03 GMThttp://thedailycountry.com/news/reckless-kelly-to-make-opry-debut-tonitePictureCredit: Carl Dunn Backstage Design Studio
April 6, the Austin, Texas-based country rock band Reckless Kelly will make their Grand Ole Opry debut after more than 20 years of recording and touring. Fans around the world can tune in live via a mobile app, SiriusXM Satellite Radio, Nashville’s 650 AM WSM, and the Opry website and WSM 650 AM website.
 
"To be debuting our band Reckless Kelly on this legendary stage is a dream come true for every one of us!" explains Cody Braun. "We are so honored to be a part of the show Saturday night! Willy and I got to sing a song with our brothers, father and Riders in the Sky here about 25 years ago so we are thrilled to get to see them again."

Reckless Kelly are currently in the midst of a national tour, with more tour dates to be announced later this year. The band will host their annual Braun Brothers Reunion festival in Challis, ID on August 8-10. Find a full list of tour dates below and on the band's website.

In the coming months, Reckless Kelly will announce a special new project to be released in 2019. The band is also hard at work in the studio on their anticipated follow up to their 9th studio album Sunset Motel, which debuted at #12 on the Billboard Americana/Folk Albums Chart, hit #1 on the Texas Regional Radio Report Chart and #7 on the Americana Radio Chart. 

"It’s an exciting time for us! We’ve completed a special project to be announced very soon and the recording of our next studio album is under way," said drummer Jay Nazz. "We’ve got a full year of touring and look forward to seeing all of our fans from coast to coast."

Tour Dates:

4/5: Nashville, TN - The Basement East
4/6: Nashville, TN - Grand Ole Opry
4/7: Memphis, TN - Lafayette's Music Room
4/12: Coupland, TX - Old Coupland Inn and Dancehall
4/13: Fort Worth, TX - Main St Fort Worth Arts Festival
4/18: Missoula, MT - Wilma Theatre
4/19: Bozeman, MT - Rialto Bozeman
4/20: Stanley, ID - Mountain Village Resort
5/16: Bastrop, TX - Neighbor’s Kitchen and Yard
5/17: Oklamahoma City, OK - Tower Theatre
5/18: Vinita, OK - American Legion Rodeo Complex
5/23: Fort Collins, CO - Washington's
5/24: Grand Junction, CO - Warehouse25sixty-five Kitchen + Bar
5/25: Craig, CO - Grand Old West Days
5/26: Black Forest, CO - Meadowgrass Festival
5/30: Springfield, MO - The Complex Springfield
5/31: Lacygne, KS - Tumbleweed Country Music & Camping Festival
6/1: Columbia, MO - The Blue Note
6/2: St. Louis, MO - Delmar Hall
6/4: Des Moines, IA - Wooly's
6/5: Minneapolis, MN - Dakota
6/6: Chicago, IL - Avondale Music Hall
6/7: Madison, WI - High Noon Saloon
6/8: Neillsville, WI - Silver Dome Ballroom
6/14: New Braunfels, TX - Gruene Hall
6/15: New Braunfels, TX - Gruene Hall

7/11: The Colony, TX - Lava Cantina
7/12: Ft. Worth, TX - The Yard Fort Worth
7/13: Austin, TX - Antone’s

7/19: Port Huron, MI - McMorran Place Sports & Entertainment Center
7/26: Cortex, CO - Montezuma County Fairgrounds
7/27: Denver, CO - Grizzly Rose
8/1: Red River, NM - The Motherlode Saloon
8/2: Colorado Springs, CO - Stargazers
8/3: Lamar CO - Sand & Sage Round-Up

8/8-10: Challis, ID - Braun Brothers Reunion
8/15: Victor, ID - Music On Main Street
8/17: Helix, OR - Quantum 9 Arena
8/18: Emigrant, MT - The Old Saloon
8/26: Grand Island, NE - Nebraska State Fair
8/31: San Antonio, TX - Sam’s Burger Joint
11/1: Seattle, WA - Tractor Tavern
11/2: Seattle, WA - Tractor Tavern
11/3: Portland, OR - Aladdin Theater
11/7: Bend, OR - Tower Theatre
11/8: Garden City, ID - Revolution Center
11/9: Idaho Falls, ID - Colonial Theater
11/10: Salt Lake, UT - The Common Wealth Room

11/13: Petaluma, CA - Mystic Theatre
11/14: Berkeley, CA - Cornerstone
11/15: Morro Bay, CA - The Siren

11/17: Solana Beach, CA - Belly Up Tavern
11/29: New Braunfels, TX - Brauntex Theatre

Website - Facebook - Twitter - Instagram

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<![CDATA[Shut Down....For Now]]>Fri, 08 Mar 2019 03:55:35 GMThttp://thedailycountry.com/news/shut-downfor-nowI have been meaning to write a note for many weeks, tossing around what to say in my head, but never actually sitting down to write it for a variety of reasons. But tonight, I sat down.

I started TDC in 2013 - which seems like an eternity ago - after I won a CMT contest where I penned an essay about Eric Church. I pounded it out in two minutes, and got a call a week later....I won an all expenses paid trip to Nashville, attended the CMT AOTY Awards and was on the tv with Cody Alan discussing music and EC. Not going to lie, it was pretty damn amazing. After, I thought, if I can write good enough for CMT and I love music, why not parlay that into a site?

It started out slow but I like to think my love of music was evident in what I did and the site grew and grew. I remember my first interviews and to see where these guys and gals are now (superstars who would never give my site the time of day) is pretty wild. Getting to listen to albums pre-release and write about them and then have actual conversations on the phone and in person and just talk with (and pick the brain of) artists and songwriters was beyond incredible. Those convos affected me so much, it's difficult to properly describe. And of course they allowed me to meet and be blessed to have people in my life I can now call friends.

I thank every single artist who gave me their time and allowed me to talk with them to listen to their record. Thank you in particular to those artists - the rare gems - who would actually RT or share what we did together. Thank you to some truly amazing publicists who worked with me over the years (you guys know who you are) and to every single person who actually read what was on these web pages, there is so much appreciation for y'all.

With all that goodness, why close shop for now? Well, besides dealing with some personal issues like we all have, the site got to the point where doing it on a daily basis (as a labor of love really) made me feel like TDC was a factory instead of a passion. I grew tired, was uninspired to write, and was just tossing stuff up to post.....which isn't doing anyone any favors. So I decided to take an extended breather which is allowing me to take care of myself and enjoy music as a fan and remember how much joy it brings me. 

Not sure if the site will be back in 2 months or 10, but in the meantime Enjoy music. Enjoy life. Tara]]>